THE BLOSSOMING OF KAMIYA ETSUKO

FLYING KAMISHIBAI BY SPICE ARTHUR 702

THE OLD OBANA-ZA CINEMA

THE OLD OBANA-ZA CINEMA

FLYING KAMISHIBAI BY SPICE ARTHUR 702

KAMISHIBAI Show

FLYING KAMISHIBAI BY SPICE ARTHUR 702
キービジュアル

CINEMA INFO

23(Sun)16:30

E
OBANA-ZA (HOTEL SUNROUTE NARA)
[Venue info]

STORY

An inspired performance made of hundreds of picture panels accompanied by unique narration and live music that will delight the senses and evoke a sense of nostalgia.

REPERTOIRE

  • 一寸法師GOGOニューヨーク!
  • ポンチャの山(新作・スパアサ流ファンタジー)
  • 花かたみ(純文学紙芝居)
  • ブルー!ブルー!ブルー!ブルー!(青春ロック紙芝居)
小西透太 (サクラメリーメン Gu.&Vo.)

小西透太 (サクラメリーメン Gu.&Vo.)

胸キュン☆ロック、きらめくポップワールド。 インディーズ時代にカルピスウォーターTVCFソングに大抜擢され、2006年7月にシングル「サイハテホーム」でデビュー。 数々のCMソングに起用される卓越したメロディセンスと目の前に情景が広がるストレートな歌詞は10代を中心に熱い支持が広がる。 2018年4月より、新体制としてこれまでとは全く違ったライブパフォーマンスを展開していく。 https://www.sakuramerry-men.net/

THE OLD OBANA-ZA CINEMA

100 YEN LOVE

JIZOLIBIDO

PASSAGE OF LIFE

THE OLD OBANA-ZA CINEMA

THE OLD OBANA-ZA CINEMA

PASSAGE OF LIFE

Guest: Director Akio Fujimoto

PASSAGE OF LIFE
キービジュアル

SCREEN INFO

22(Sat) 13:00

E
OBANA-ZA (HOTEL SUNROUTE NARA)
[Venue info]

STORY

The life of Myanmarese family in Japan changes radically when their father is arrested by the Immigration Bureau. Their mother, who migrated from Myanmar to Japan, and her children raised in Japan realize the differences between them… The film’s director, Akio Fujimoto was once featured in NARA-wave.

CAST

CAST:Kaung Myat Thu, Khin Myat Thu, Issace, Htet Myat Naing

STAFF

DIRECTOR : Akio Fujimoto
Japan / 2017 / 98min / Color / JPN & ENG Sub
@E.x.N K.K.

DIRECTOR

Akio Fujimoto

Akio Fujimoto

TRAILER

THE OLD OBANA-ZA CINEMA

THE WORLD’S “TOP” THEATER

I AM A BRIDGE!

CLOUDS OF SILS MARIA

THE OLD OBANA-ZA CINEMA

THE OLD OBANA-ZA CINEMA

CLOUDS OF SILS MARIA

CLOUD OF SILS MARIA
キービジュアル

SCREEN INFO

21(Fri) 16:10

E
OBANA-ZA (HOTEL SUNROUTE NARA)
[Venue info]

STORY

A middle-aged actress with a glamorous carrier is asked to play in a film adaptation of the play that made her famous 20 years earlier, but this time her role is taken by a young actress and she is cast in a much less glamorous role.

CAST

CAST:Juliette Binoche, Kristen Stewart, Chloe Grace Moretz

STAFF

DIRECTOR : Olivier Assayas
France, Germany, Switzerland / 2014 / 124min / Color / JPN Sub.
©2014 CG CINÉMA – PALLAS FILM – CAB PRODUCTIONS – VORTEX SUTRA – ARTE France Cinéma – ZDF/ARTE – ORANGE STUDIO – RTS RADIO TELEVISION SUISSE – SRG SSR

TRAILER

THE OLD OBANA-ZA CINEMA

THE OLD OBANA-ZA CINEMA

THE OLD OBANA-ZA CINEMA

キービジュアル

OBANA-ZA, a playhouse and a cinema loved by people in Nara city returns for a few days in NIFF.
The theater OBANA-ZA which contained a revolving stage was built by patrons in town of Nara in 1909.
It was at the place where the hotel Sunroute Nara exists now.
When Nakano family in Osaka started to run the theater as OBANA Theater in 1920, it was the first cinema in Nara city.
While being lamented, the theater closed its business in 1979.
NIFF revives the theater in Sakura Hall in Hotel Sunroute Nara and presents various films on screen.

SCREEN INFO

21(Fri)-23(Sun)

C
OBANA-ZA (HOTEL SUNROUTE NARA)
[Venue info]

THE OLD OBANA-ZA CINEMA

THE NIKAIDOS’ FALL

Narative

NARAtive 2018

THE NIKAIDOS’ FALL

WORLD PREMIERE・舞台挨拶

THE NIKAIDOS’ FALL
キービジュアル

CINEMA INFO

20(Thr)18:00

A
NARA PREFECTURE CULTURAL HALL
[Venue info]

STORY

After the death of Tatsuya’s only son, the family loses the only male heir to their family name. The tragedy also causes Tatsuya’s wife to leave him. As a result, the family’s sickly mother pressures Tatsuya to remarry, albeit with a woman he is not sure he truly cares for. Tatsuya’s daughter, Yuko, also feels obligated to keep the family going and considers marrying a man as a Mukoyoshi, which means he will adopt Yuko’s family name, yet she is reluctant to do this because of her feelings for someone else. Both Tatsuya and Yuko are caught in a dilemma that forces them to choose between family obligation and their own desires.

CAST

Cast: Masaya Kato, Shizuka Ishibashi, Keita Machida, Hana Hizuki, Kayo Ise, Yohji Tanaka, Kazuko Shirakawa, Nelson Babin-Coy

STAFF

Scriptwriter: Arsalan Amiri, Ida Panahandeh / Cinematographer: Morteza Gheidi / Music: Masamichi Shigeno / Executive producer: Naomi Kawase

DIRECTOR : Ida Panahandeh
Japan・Hong-Kong / 2018 / 106min / Color / DCP / ENG/JPNSub.

Production: LDH JAPAN, Emperor Film Production Company Limited, Nara International Film Festival Organizing Committe
Japanese Distribution: HIGH BROW CINEMA
Asian Distribution (except Japan): Emperor Motion Pictures
© 2018 “二階堂家物語” LDH JAPAN, Emperor Film Production Company Limited, Nara International Film Festival

DIRECTOR

Ida Panahandeh

Ida Panahandeh

Ida Panahandeh was born in Tehran, Iran. She obtained a degree in Film Photography in 2002 and a master’s in Film Direction in 2005, both from the Arts University of Tehran, where she began her film career with several short films. After university she was invited to direct films for Iranian television, with which she won awards at numerous national festivals. In 2009 she took part in the Berlin ‘Talent Campus’. ‘Nahid’ is her first feature and it was screened in the Un Certain Regard section at the 2015 Cannes Film Festival where it won a special prize (Prix de l’Avenir). It also won the Golden Shika Award at the 2016 Nara International Film Festival. Israfil (2017) is the second feature of Ida Panahandeh.

COMMENT

Four years after Abbas Kiarosrami directed his last film in Japan in 2012, I found myself directing a feature narrative in the same country. As a young female Iranian director, it was a challenging task, especially after Kiarosrami’s well received film, since it was a risk taking project that possibly put my career in jeopardy. But as a filmmaker who has been fascinated by the cinematic style of Yasujiru Ozu and other Japanese film masters, I decided to face this challenge to make a film in a country I’ve always loved with its ancient culture, history and art. After travelling a few times to Japan and exploring a new story, a familiar plot came out unconsciously; the struggle between personal freedom and social obligations which is especially common in the societies where ancient traditions deeply reside. This was also the main concept of my first and second features. Now I feel content with the result of the risks I’ve taken and have opened a new window to my artistic world.

OFFICIAL WEB

https://ldhpictures.co.jp/movie/nikaido-ke-monogatari/

NARAtive 2018